{"id":27,"date":"2014-06-05T16:50:20","date_gmt":"2014-06-05T20:50:20","guid":{"rendered":"http:\/\/www.lennox.dev-mmm.com\/?page_id=27"},"modified":"2022-06-28T11:58:36","modified_gmt":"2022-06-28T15:58:36","slug":"expositions","status":"publish","type":"page","link":"https:\/\/bibliolennoxvillelibrary.ca\/fr\/expositions\/","title":{"rendered":"Expositions"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1024\" height=\"576\" src=\"https:\/\/bibliolennoxvillelibrary.ca\/wp-content\/uploads\/2022\/06\/Vernissage-jeudi-16-juin-2022-17h-2-1024x576.png\" alt=\"\" class=\"wp-image-5829\" srcset=\"https:\/\/bibliolennoxvillelibrary.ca\/wp-content\/uploads\/2022\/06\/Vernissage-jeudi-16-juin-2022-17h-2-1024x576.png 1024w, https:\/\/bibliolennoxvillelibrary.ca\/wp-content\/uploads\/2022\/06\/Vernissage-jeudi-16-juin-2022-17h-2-300x169.png 300w, https:\/\/bibliolennoxvillelibrary.ca\/wp-content\/uploads\/2022\/06\/Vernissage-jeudi-16-juin-2022-17h-2-768x432.png 768w, https:\/\/bibliolennoxvillelibrary.ca\/wp-content\/uploads\/2022\/06\/Vernissage-jeudi-16-juin-2022-17h-2-1536x864.png 1536w, https:\/\/bibliolennoxvillelibrary.ca\/wp-content\/uploads\/2022\/06\/Vernissage-jeudi-16-juin-2022-17h-2-624x351.png 624w, https:\/\/bibliolennoxvillelibrary.ca\/wp-content\/uploads\/2022\/06\/Vernissage-jeudi-16-juin-2022-17h-2.png 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h2><fontbase=\"Lato\"><em><span style=\"color:#f79c14\" class=\"has-inline-color\"><strong>\u00ab\u00a0Le v\u00e9ritable r\u00e9el ne se limite pas \u00e0 l&rsquo;aspect chatoyant de l&rsquo;ext\u00e9rieur\u00a0\u00bb Fran\u00e7ois Cheng<\/strong><\/span><\/em><\/h2>\n\n\n\n<h2>Tout a commenc\u00e9 pieds nus dans l&rsquo;eau, remontant la rivi\u00e8re Saint-Fran\u00e7ois dans le secteur Atto Beaver de Lennoxville, mes yeux croisant des morceaux de bois flott\u00e9s aux allures bien singuli\u00e8res. \u00c0 cet instant, je sus que je voulais travailler avec eux. C&rsquo;est mon projet de finissante au certificat en Arts visuels de l\u2019Universit\u00e9 de Sherbrooke en 2018 qui me donna l&rsquo;occasion de commencer ce qui devint une longue s\u00e9rie d&rsquo;images, qui ne cesse de s&rsquo;enrichir encore aujourd&rsquo;hui.<\/h2>\n\n\n\n<h2>Les motifs des compositions sont r\u00e9alis\u00e9s \u00e0 partir des silhouettes des bois en 2D monochrome noir ou blanc. Les couleurs vaporeuses d\u2019o\u00f9 \u00e9mergent ces motifs sont quant \u00e0 elles des photographies prises le long de la rivi\u00e8re, et retravaill\u00e9es jusqu\u2019\u00e0 ce qu\u2019elles d\u00e9livrent seulement leurs plus d\u00e9licates teintes.<\/h2>\n\n\n\n<h2>Depuis, ces 3 bois, devenus sculptures aux couleurs et allures tribales, symbolisent dans mon travail une triade terre &#8211; ciel &#8211; esprit en perp\u00e9tuelle qu\u00eate de liens, d\u2019harmonie, de dialogue et d\u2019\u00e9quilibre. <span class=\"has-inline-color has-black-color\">Les<\/span><span class=\"has-inline-color has-vivid-red-color\"> <\/span><strong><span class=\"has-inline-color has-black-color\"><em>Etheriks<\/em><\/span><\/strong> t\u00e9moignent de cette rencontre entre l\u2019esprit d\u2019un lieu et un esprit humain, et invitent avec leurs \u00e9manations subtiles \u00e0 percevoir le monde au-del\u00e0 des apparences et des formes, au-del\u00e0 des mots et des \u00e9tiquettes, au-del\u00e0 du besoin de nommer ce que l\u2019on voit en fonction de ce que l\u2019on conna\u00eet d\u00e9j\u00e0.<\/h2>\n\n\n\n<h2>Les <strong><em>Etheriks<\/em><\/strong> sont finalement une invitation \u00e0 d\u00e9passer les formes mentales dominantes pour laisser s\u2019exprimer la vie, qui se recombine sans cesse dans des formes harmonieuses aux sym\u00e9tries imparfaites.<\/h2>\n\n\n\n<h2>Le projet<strong> <em><span class=\"has-inline-color has-black-color\">Flowers from the invisible<\/span><\/em> <\/strong>repose sur le m\u00eame mat\u00e9riel de base et les m\u00eames techniques. La s\u00e9rie d&rsquo;agencements plus complexes suit des inspirations florales qui se d\u00e9clinent au gr\u00e9 des 7 couleurs d\u00e9compos\u00e9es de la lumi\u00e8re. Ce travail a d\u00e9but\u00e9 en 2022.<\/h2>\n\n\n\n<h2><span style=\"color:#9e0909\" class=\"has-inline-color\"><strong>Etheriks:<\/strong> Impressions 50&#215;50 cm sur Epson Hot Press Bright &#8211; Edition limit\u00e9e<\/span> <span style=\"color:#9e0909\" class=\"has-inline-color\">(5)<\/span><\/h2>\n\n\n\n<h2><span style=\"color:#9e0909\" class=\"has-inline-color\"><strong>Flowers from the invisible: <\/strong>Impressions 25&#215;25 cm sur Epson Hot Press Bright &#8211; Edition limit\u00e9e<\/span> <span style=\"color:#9e0909\" class=\"has-inline-color\">(5)<\/span><\/h2>\n\n\n\n<h2><a href=\"https:\/\/www.instagram.com\/loj_artist\/\">https:\/\/www.instagram.com\/loj_artist\/<\/a><\/h2>\n\n\n\n<h2><a href=\"http:\/\/loj-art.com\/\">http:\/\/loj-art.com\/<\/a><\/h2>\n\n\n\n<hr class=\"wp-block-separator is-style-default\"\/>\n\n\n\n<h2><em><span style=\"color:#f79c14\" class=\"has-inline-color\"><strong>\u00ab\u00a0Le v\u00e9ritable r\u00e9el ne se limite pas \u00e0 l&rsquo;aspect chatoyant de l&rsquo;ext\u00e9rieur\u00a0\u00bb Fran\u00e7ois Cheng<\/strong><\/span><\/em><\/h2>\n\n\n\n<h2>It all began barefoot in the water, walking up the St. Francis River in the Atto Beaver area of Lennoxville, my eyes meeting unusually shaped pieces of driftwood. I knew immediately that I wanted to work with them. My graduation project for the Visual Arts certificate at the University of Sherbrooke in 2018 gave me the opportunity to begin what became a long series of images, which continues to grow today.<\/h2>\n\n\n\n<h2>The patterns of the compositions are made from the silhouettes of those pieces of driftwood in 2D monochrome black or white. The vaporous colors from which these patterns emerge are photographs taken along the river, and reworked until they deliver only their most delicate hues.<\/h2>\n\n\n\n<h2>Since then, these three pieces of wood, which have become sculptures with tribal colors and forms, symbolize in my work a triad of earth \u2013 sky \u2013 spirit that is in perpetual quest for links, harmony, dialogue and balance. <span class=\"has-inline-color has-black-color\">The <strong>Etheriks <\/strong><\/span>bear witness to this meeting between the spirit of a place and a human spirit, and invite us, with their subtle emanations, to perceive the world beyond appearances and forms, beyond words and labels, beyond the need to name what we see according to what we already know.<\/h2>\n\n\n\n<h2><span class=\"has-inline-color has-black-color\">The <\/span><strong><span class=\"has-inline-color has-black-color\">Etheriks<\/span> <\/strong>are ultimately an invitation to go beyond dominant mental forms to let life express itself, constantly recombining in harmonious forms with imperfect symmetries.<\/h2>\n\n\n\n<h2><span class=\"has-inline-color has-black-color\">The <strong>Flowers from the Invisible <\/strong><\/span>project is based on the same basic material and techniques. The series of more complex arrangements follows floral inspirations that are broken down by the seven colors of light. This work began in 2022.<\/h2>\n\n\n\n<h2><span style=\"color:#9e0909\" class=\"has-inline-color\"><strong>Etheriks<\/strong>: 50\u00d750 cm prints on Epson Hot Press Bright &#8211; Limited Edition<\/span> <span style=\"color:#9e0909\" class=\"has-inline-color\">(5)<\/span><\/h2>\n\n\n\n<h2><span style=\"color:#9e0909\" class=\"has-inline-color\"><strong>Flowers from the invisible<\/strong>: 25&#215;25 cm prints on Epson Hot Press Bright &#8211; Limited Edition<\/span> <span style=\"color:#9e0909\" class=\"has-inline-color\">(5)<\/span><\/h2>\n\n\n\n<h2><a href=\"https:\/\/www.instagram.com\/loj_artist\/\">https:\/\/www.instagram.com\/loj_artist\/<\/a><\/h2>\n\n\n\n<h2><a href=\"http:\/\/loj-art.com\/\">http:\/\/loj-art.com\/<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab\u00a0Le v\u00e9ritable r\u00e9el ne se limite pas \u00e0 l&rsquo;aspect chatoyant de l&rsquo;ext\u00e9rieur\u00a0\u00bb Fran\u00e7ois Cheng Tout a commenc\u00e9 pieds nus dans l&rsquo;eau, remontant la rivi\u00e8re Saint-Fran\u00e7ois dans le secteur Atto Beaver de Lennoxville, mes yeux croisant des morceaux de bois flott\u00e9s aux allures bien singuli\u00e8res. \u00c0 cet instant, je sus que je voulais travailler avec eux. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"templates\/expositions.php","meta":[],"_links":{"self":[{"href":"https:\/\/bibliolennoxvillelibrary.ca\/fr\/wp-json\/wp\/v2\/pages\/27"}],"collection":[{"href":"https:\/\/bibliolennoxvillelibrary.ca\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bibliolennoxvillelibrary.ca\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bibliolennoxvillelibrary.ca\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bibliolennoxvillelibrary.ca\/fr\/wp-json\/wp\/v2\/comments?post=27"}],"version-history":[{"count":9,"href":"https:\/\/bibliolennoxvillelibrary.ca\/fr\/wp-json\/wp\/v2\/pages\/27\/revisions"}],"predecessor-version":[{"id":5949,"href":"https:\/\/bibliolennoxvillelibrary.ca\/fr\/wp-json\/wp\/v2\/pages\/27\/revisions\/5949"}],"wp:attachment":[{"href":"https:\/\/bibliolennoxvillelibrary.ca\/fr\/wp-json\/wp\/v2\/media?parent=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}